Put simply, the Liquid Channel gives you every classic analog mic pre, compressor, and EQ combination you can think of...in one box. Every studio's "golden goose" is in here, and the best part is it actually sounds like the equipment it's replicating! If you've always wanted to sound like you were recording in a studio with a million dollar control room, the Liquid Channel might just be what you're looking for.
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The Liquid Channel transports classic front-end processing into the digital age, removing the need for endless patching and adding fluidity and reliability to the studio environment. Quite simply, The Liquid Channel is every mic-pre and compressor combination in history, inside a single 192kHz 2U device.
This is achieved through a unique two-part process. Firstly, the use of dynamic convolution techniques is applied, utilising lightening fast |
The Liquid Channel can therefore replicate precisely the sound of any classic mic-pre and compressor. With entirely digital front panel controls, all parameters can be saved in one of ninety-nine User Memories, meaning that entire session set-ups can all be recalled at the touch of a button. A brand new digital EQ is also available, providing a comprehensive and truly ‘liquid’ channel strip.
A USB connection on the rear panel links to a |
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"Yesterday I did an A-B test with the Liquid Channel and a bunch of new and classic gear (Red 1, VTT1, 737, 1176, 33609, 165). We found that the preamp in the Liquid Channel is excellent by itself, the preamp replicas are very accurate in general (sometimes we needed to dial in some harmonics to make the match perfect but that's about all we could find). The compressor replicas are fantastic. We could not hear any difference at all when A-Bing after we'd matched the controls and levels. Brilliant stuff."
Ivo Witteveen - Reviewer for Interface Magazine - July 2004 |
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Key Features
- 40 mic pres and 40 compressors
The Liquid Channel comes loaded with forty classic mic-pre and forty classic compressor emulations, with an expanding library online.
- Best of both worlds
The Liquid Channel fuses cutting-edge analogue design with lightning fast SHARC DSP to deliver the finest pre-amp emulations possible.
- Digital Head, Analogue Heart
The Liquid Channel uses an analogue pre-amp front-end to match the input impedance and signal path of the device being emulated before applying dynamic convolution for amplification characteristics.
- Global Recall
100 Programme Memories allow you to save every parameter, whilst the file format provides easy transfer of these settings to other Liquid Channel users.
- Remote Control
Free software application LiquidControl™ allows comprehensive remote operation and archiving facility of emulations and programme memories.
- 192kHz ADC/DAC as standard
The Liquid Channel features the finest conversion paths possible, ensuring the audio is unaffected whilst dynamic convolution is applied in the digital domain.
- Not all vintage units are born equal
So the 'Harmonics' dial lets you account for variance in vintage originals, or use levels of 2nd, 3rd and 5th Harmonic distortion
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software application enabling the archiving of both replicas and surplus User Memories, as well as providing remote operation of the unit itself. The Liquid Channel comes complete with forty classic mic-pre’s and forty classic compressors but is infinitely expandable, since the USB port also facilitates downloads of further replicas from a dedicated website; www.ffliquid.com.
Finally, to account for variances in amounts of second order harmonic distortion (usually perceived as warmth) from one pre-amp to the next, a dial is included to permit control over this value. This essential feature ensures hardcore vintage enthusiasts are satisfied, bringing total control over every sonic attribute.
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SHARC chips applying unique level-dependant impulse responses to every sample of audio. However, whilst this is more than sufficient to identically re-synthesise a compressor’s sonic behaviour, in order to replicate precisely every subtle nuance, the pre-amplifier must physically match the way in which the classic unit interacts with a given microphone. The Liquid Channel’s solution to this problem lies in its vast analogue front-end. A pre-amp with the ability to change its impedance and vary its signal path to either transformer or electronic, perfectly replicating the interaction characteristics of the original, whilst remaining entirely transparent within the signal path.
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Essentially, The Liquid Channel provides an unlimited supply of vintage sonic performance for the price of one unit, with all the added benefits of digital processing and control. |
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Specifications
Converter performance
• Sample rate: 44.1, 48, 88.2, 96, 176.4 and 192kHz
• Bit depth: 24-bit
ADC
• SNR: 120dB measured with 20Hz/22kHz bandpass A-weighted filter
• Frequency response: ±0.05dB between 20Hz / 22 kHz
• Maximum input level: +22dBu
• THD+N: 0.00035% (-109dB)
DAC
• Dynamic range: 116dB measured with 20Hz/22kHz bandpass A-weighted filter
• Frequency response: ±0.05dB between 20Hz / 22kHz
• Maximum output level: +22dBu
• THD+N: 0.0007% (-103dB)
Jitter
• Internal clock: < 20 pico-seconds
• AES digital output: < 200 pico-seconds
• External clock: < 1 nano-second
• Analogue and digital path
Mic pre
• Gain range: +6dB to +80dB, switched in 1dB steps
• Frequency response: variable, set by pre-amp chosen
• THD+N at analogue out: 0.001% measured with a +4dBu 1kHz input signal with 20Hz/22kHz bandpass filter
• THD+N at AES digital out: 0.0005% measured with a +4dBu 1kHz input signal with 20Hz/22kHz bandpass filter
• Mic noise: EIN = -126dB measured at 80dB of gain with 150 Ohm source impedance and 20Hz/22kHz bandpass filter
• Noise at analogue out: -92dBu measured at +6dB gain with 20Hz/22kHz bandpass
A-weighted filter
• Noise at AES digital out: -119dBFS measured at + 6dB gain with 20Hz/22kHz bandpass
A-weighted filter
• Maximum input level: +16dBu
• Input impedance: variable, set by preamp chosen
• CMRR: Transformer: 123dB @ 60dB of gain
• Electronic: 102dB @ 60dB of gain
Line input
• Gain range: 10dB to +10dB, switched in 1dB steps
• Frequency response: 0dB ±0.1dB between 20Hz and 20kHz
• THD+N at analogue out: 0.001% measured with a +18dBu 1kHz input signal with 20Hz/22kHz bandpass filter
• THD+N at AES digital out: 0.0004% measured with a +18dBu 1kHz input signal with 20Hz/22kHz bandpass filter
• Noise at analogue out: -92dBu measured at 0dB gain with 20Hz/22kHz bandpass
A-weighted filter
• Noise at AES digital out: -120dBfs measured at 0dB gain with 20Hz/22kHz bandpass
A-weighted filter
• Maximum input level: +22dBu
• High pass filter
• Roll off frequency: switchable between 75Hz and 120Hz, frequency measured at 6dB down point, 12dB per octave roll-off
Harmonics
• Distortion range: 0 to 15 where 15 (maximum) = 10% of 2nd-, 20% of 3rd- and 10% of 5th-order at 0dBFS (level-dependent distortion)
Compressor
In 'As Original' mode the parameter ranges will be the same as on the original unit being emulated. In 'Free' mode the parameter ranges are as follows:
• Threshold range: -40dB to 20dB switched in 1dB steps
• Ratio range: 1:1 to limit
• Attack range: 0.1ms to 2.5s
• Release range: 0.1ms to 2.5s
• Make-up gain: -20dB to +20dB switched in 0.5dB steps
EQ
High Shelf
• Frequency range: 200Hz to 20kHz
• Gain: +/-18dB
Mid Band
• Frequency range: 100Hz to 10kHz
• Gain: +/-18dB
• Q: variable between 0.8 and 2.5
Low Shelf
• Frequency range: 10Hz to 1kHz
• Gain: +/-18dB
Weight
• 8.6kg
• 19Ibs
Dimensions
• 484mm (W) x 85mm (H) x 270mm (D)
• 19" (W) x 3.5" (H) x 10.6" (D)
• 2U rackmount
* IMPORTANT INFORMATION: FOCUSRITE, the FF logo, LIQUID TECHNOLOGY, LIQUID CONTROL and the LIQUID logo are trademarks of Focusrite Audio Engineering Ltd. DYNAMIC CONVOLUTION is a trademark of Sintefex Ltd. All other product names, trademarks, or trade names are the names of their respective owners, which are in no way associated, connected nor affiliated with Focusrite or its LIQUID CHANNEL product and which have not endorsed Focusrite's LIQUID CHANNEL product. These other product names, trademarks, and trade names are used solely to identify and describe the third party products the sonic behaviour of which was studied for the LIQUID CHANNEL product, and to accurately describe the functionality of the LIQUID CHANNEL product. The LIQUID CHANNEL product is an independently engineered technology which utilises the patented process of Dynamic Convolution to actually measure examples of the sonic impact of original analogue products upon an audio stream, so as to electronically emulate the performance of the original product studied. The result of this process is subjective and may not be perceived by a user as producing the same effects as the original products studied. |
