Do your tools of choice affect your work? How will choosing one NLE over another impact your craft? Editors face these questions when they’re looking for a new non-linear editor (NLE). For those working outside of the AVID TV/Hollywood ecosystem. Apple Final Cut Pro, Adobe Premiere Pro, and the ascendant DaVinci Resolve compete for the attention of today’s editors. Let’s...
A control surface can be a game-changer for your studio mixing workflow. If you don't enjoy using your mouse to draw fader moves and find mixing in-the-box to be tedious, a good control surface may be the perfect solution. Most...
I have no doubt that if you’re reading this, at some point in your career (or more likely, many, many points), you’ve heard the infamous term “we’ll fix it in post.” In short, it generally reflects an attitude of correcting...
To some filmmakers, it’s a joke. For others, it makes their blood boil. And for some, when they hear it, their eyes practically roll right out of their heads. It’s the term “Fix it in Post,” and if you’ve been...
There are few words as frustrating to the ears of a film and video editor as the phrase “We’ll fix it in post.” It’s a term that means a few things: Don’t worry about getting the shot right, we’ll just fix...
Steven LaMorte In the wake of Covid-19, video production has faced a myriad of challenges. Several TV and film productions have been delayed, and movies scheduled for the big screen, have moved to digital release. With travel on lockdown, there...
